In this series, I establish dialogues with works that have profoundly marked modern art. It is not about reproducing consecrated images, but about understanding how they can transcend time and acquire new meanings through matter, color, and the pictorial process.

By incorporating collages, overlays, scrapings, and different layers of paint, the original image ceases to occupy the center of the composition and becomes part of a new visual structure. The interest shifts from representation to transformation, revealing that every image carries the possibility of being continuously reconstructed.

These works investigate the permanence of visual memory. Each work is born from the encounter between a historical reference and a contemporary language, preserving vestiges of the past while constructing new relationships between form, matter, and time.

More than engaging in dialogue with modern art, this research seeks to demonstrate that painting remains an open space, where each image can continue its history without ever ceasing to transform.

Echoes of Marilyn

Dream Stuff

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